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Sarah Larn, head of design at William & Son, on what goes into leather design, the excitement of bespoke projects and the most rewarding part of the process: seeing A-listers and everyday women toting her bags. When Sarah Larn landed the job of head of design and product development for handbags and accessories at luxury retailer William & Son, she was in the privileged position of not having any boots to fill. Until her appointment three years ago, the Mayfair-based luxury emporium cherry-picked its bag offering from small suppliers and didn’t create anything in-house. Having cut her teeth at several luxury brands in Europe and launched the handbag ranges of not one but two British retail giants, the new role was an opportunity for Sarah to put her own stamp on things. William & Son puts great emphasis on craftsmanship and bespoke production, which also appealed to her. “I knew there would be a focus on quality from a designer’s point of view,” says Sarah. The designer wasted no time in executing elegant and timeless collections for William & Son, starting with the Bruton Day Bag – a ladylike, flapover style which subtly alludes to the brand logo via its W pinch-lock fastening. The bag can be customised by switching the colourway of the lock; some customers choose to order an additional tonal closure, which Sarah will have made and then seamlessly switch over in-store. Timeless elegance: the Bruton Day Bag was Sarah Larn's first design at William & Son But she also works across highly bespoke projects, and is currently creating a full-blown luggage collection in exotic skins to cater to the exact requirements of a customer.
For the original version including any supplementary images or video, visit http://www.telegraph.co.uk/luxury/british-craftsmanship/how-are-luxury-handbags-designed/